1MORE Fit SE Open Earbuds S30 Review (Page 4 of 4)

Page 4 - Conclusion

1MORE provided this product to APH Networks for the purpose of evaluation.



APH Recommended Award |
APH:Renewal Award |
APH equal.balance Award |

APH Networks Review Focus Summary:
10/10 means This is an absolutely incredible product that is absolutely perfect with no drawbacks at all.
9/10 means Excellent product with very minor drawbacks that do not affect the overall product.
8/10 means Definitely a very good product with drawbacks that are not likely going to matter to the end user.
7/10 means Great product with many advantages and certain insignificant drawbacks, but should be considered before purchasing.
6/10 means A product with its advantages, but drawbacks should not be ignored before purchasing.
5/10 means An average product with no real advantages; drawbacks and advantages just seem to cancel each other out.
4/10 means With disadvantages that slightly outweigh its advantages, you should not get this product unless there are no product alternatives that does its job.
3/10 means Disadvantages are pretty significant, and should be seriously considered before purchase. Disadvantages interfere with the product purpose, and if better alternatives are available, get the better alternative.
2/10 means The advantage is not clear, and the disadvantages are too obvious or significant to be ignored. The disadvantages interfere with the overall product function. We highly recommend you to get alternative products if available.
1/10 means Do not get this product unless it is absolutely essential for a specific purpose. The disadvantages interfere significantly to the product's function. In general, there are better things out there for your money.
-- Final APH Networks Numeric Rating is /10
Please note that the APH Networks Numeric Rating system is based off our proprietary guidelines in the Review Focus, and should not be compared to other publications.


Page Index
1. Introduction, Packaging, Specifications
2. Physical Look - Hardware
3. Subjective Audio Analysis
4. Conclusion